for Thanos, my herstory,
my never-born, and ‘that’ woman on Bus 56
the heart shaped blood spot.
nice touch, unborn
pain in the ass.
a pad too full to protect
my knickers. vermillion
toilet water singing Red’s song
in every tone that concept has
to offer. except pink.
this time, quietly
Grandma Elder slips herself
into my space on Bus 56.
i acknowledge her
space filling
my surreal recollections.
AIDs stolen, lymphoma ravaged,
still born, tumours eating
12 year old brains to death.
she hums.
rubs
painful hands like when
Maida didn't want us to hear
agony’s way of betraying
the spirit in
the shell. howls. twists. fills
diapers with shit-piss. now,
cramp ejected gooey garnet
lumpy lineage plops
into whatever toilet bowl
i can get to. begging
kinswoman - is this what we do when agony
dares to disrupt our dignity ?
toneless tunes? rocking
fixed smiles on silent
uplifted heads?
your twisting bony hands
my brick stained undergarment mausoleum.
diligent forbearance composing .
note less
vibrations. we rock.
hum. smile-share
age pains. crowned
by some hallowed
concrete nimbus.
our necks must hold.
Saturday, February 25, 2006
Thursday, February 23, 2006
hearts quake.
for Thanos who needs more Jamaican lightning
and Julia Reichert who is recovering health.
hearts quake.
shudder.
thump mud.
bludgeon
blood’s innate
inertia
to embrace its
more transient
state.
movement happens.
and it does. change
punches. it is like that
relentless
battering
organ
pounding
life’s
monotonous
bass
tones
and the resulting
crimson
hiss
thrusting
cellular
renewal.
years make origami
skin. chiselled muscle submits
to sculptor’s hand buffing
hard
edges soft,
smooth.
tears alone are free
to race, weave, rumble
through emotion’s
elegant artistry.
thick
and thin memories
resembling Queen Ann’s Lace. Skeletons
dissolving after Autumn’s eternal frost.
and Julia Reichert who is recovering health.
hearts quake.
shudder.
thump mud.
bludgeon
blood’s innate
inertia
to embrace its
more transient
state.
movement happens.
and it does. change
punches. it is like that
relentless
battering
organ
pounding
life’s
monotonous
bass
tones
and the resulting
crimson
hiss
thrusting
cellular
renewal.
years make origami
skin. chiselled muscle submits
to sculptor’s hand buffing
hard
edges soft,
smooth.
tears alone are free
to race, weave, rumble
through emotion’s
elegant artistry.
thick
and thin memories
resembling Queen Ann’s Lace. Skeletons
dissolving after Autumn’s eternal frost.
Wednesday, February 22, 2006
Beginning Literacy
unedited this time
Glitter Glue Collage
It’s starting to rain.
This is the night sky.
Stars, they’re twinkling.
Twinkling, twinkling.
Black night sky
and it’s raining again.
Big Cat Collage
Mama Tiger misses her baby.
Cheetah gotta go, oh dear!
He’s coming for everyone,
the little, little lion.
Tiger and cheetah.
Gold and sparkly,
the sun is setting purple.
Everybody’s gonna get
some chips.
NOTE: Winston and I have begun to play with letters and sounds. So, I thought in true Antioch School tradition, I’d begin to work on reading readiness by making books. Today, he made collages with glitter glue. Then I typed what he said into the computer. I printed it out and read it to him. (This caused much laughter. He loves the idea that I can repeat back everything he said - exactly as he said it - as many times as he wants me to do it. ) Then we glued them to the collages. (I only hope he doesn't become a poetry slam champion at age 12 and retire from writing poetry. Hint - hint to whom anyone this might have happened. You still got poems in you!)
Glitter Glue Collage
It’s starting to rain.
This is the night sky.
Stars, they’re twinkling.
Twinkling, twinkling.
Black night sky
and it’s raining again.
Big Cat Collage
Mama Tiger misses her baby.
Cheetah gotta go, oh dear!
He’s coming for everyone,
the little, little lion.
Tiger and cheetah.
Gold and sparkly,
the sun is setting purple.
Everybody’s gonna get
some chips.
NOTE: Winston and I have begun to play with letters and sounds. So, I thought in true Antioch School tradition, I’d begin to work on reading readiness by making books. Today, he made collages with glitter glue. Then I typed what he said into the computer. I printed it out and read it to him. (This caused much laughter. He loves the idea that I can repeat back everything he said - exactly as he said it - as many times as he wants me to do it. ) Then we glued them to the collages. (I only hope he doesn't become a poetry slam champion at age 12 and retire from writing poetry. Hint - hint to whom anyone this might have happened. You still got poems in you!)
Wednesday, February 15, 2006
in every picture
1.
my jester brother dances.
ogles. face precision twisting.
reassembling in time with the camera’s
shutter opening closing.
shirt & trousers garishly 70’s
fashion fabulous striped or
polka dotted. how our parents
never caught on
until after the film
came back to their furious
grim set lips squeezing out
how could you? commenting
tightly you look slim, chris
but you’re squinting again -
as frozen serene me
dutifully tries
to smile into the sun
with open eyes.
my properly coy
smile neatly in place.
the only outrageous
or absurd things about me
are the itchy outfits from Paris
that my hair and I were
pressed into each morning.
2.
there is only picture of Brian
standing upright, poised
and representative of the Race.
at the Tower Of London,
he had the nerve to snicker
at the Beefeater uniforms.
Daddy’s face snapped serious
inches from my brother’s.
quietly said,
these are stone cold seasoned warriors
trained to take their bare hands
and turn you into 25 tidy pieces
in under 50 seconds neatly arranged
in formation on this lush green grass.
in that picture, Brian smiles
appropriately. but, his eyes slide
curiously up and
to the left. a Yeoman Warder’s
practised jovial smile beams down at him,
hand resting lightly on his shoulder.
my hip is cocked to one side
hand on my waist
smile smug and not squinting.
this is the one in a silver frame.
my jester brother dances.
ogles. face precision twisting.
reassembling in time with the camera’s
shutter opening closing.
shirt & trousers garishly 70’s
fashion fabulous striped or
polka dotted. how our parents
never caught on
until after the film
came back to their furious
grim set lips squeezing out
how could you? commenting
tightly you look slim, chris
but you’re squinting again -
as frozen serene me
dutifully tries
to smile into the sun
with open eyes.
my properly coy
smile neatly in place.
the only outrageous
or absurd things about me
are the itchy outfits from Paris
that my hair and I were
pressed into each morning.
2.
there is only picture of Brian
standing upright, poised
and representative of the Race.
at the Tower Of London,
he had the nerve to snicker
at the Beefeater uniforms.
Daddy’s face snapped serious
inches from my brother’s.
quietly said,
these are stone cold seasoned warriors
trained to take their bare hands
and turn you into 25 tidy pieces
in under 50 seconds neatly arranged
in formation on this lush green grass.
in that picture, Brian smiles
appropriately. but, his eyes slide
curiously up and
to the left. a Yeoman Warder’s
practised jovial smile beams down at him,
hand resting lightly on his shoulder.
my hip is cocked to one side
hand on my waist
smile smug and not squinting.
this is the one in a silver frame.
Monday, February 13, 2006
daddy’s special ride
thanks Jess for asking
“I gotta get on this jazz and blues thing.”
1.
that ancestral submarine
jazz can i ride it? dive
atlantic deep wake
my vessel tir
up music-quaking bones.
truly understand
commit drown
squeeze myself
through half notes? reborn
inside a father’s passion
like i have have been
only once before
i could name vowels;
sound out Canis Major’s
children on fingers; link
my solitary pointer
tip to Polaris
then contract eighty times
to the end of beckoning
vulva humming here here here.
hear the squiggle-lurch of myself
fast forwarded to a present. basking
in my son. father drunk on whole notes.
all of us together. Dizzy loud
bouncing this newly born rider
barely able to walk
dancing. his undefined self
timeless in time
to the music. laughter. crashing
palms electric flesh joined.
salt splattered genetic euphoria
an aqua silver plasma line
knitted by invisible arthritic hands
to cover these loving harmonies
right now.
i’m on this jazz thing warm.
pure. clean family heat
geysering that dead cold ocean.
bones moving in unison. is that jazz?
Monday, February 06, 2006
Winston’s Winter Song
(with a Mommy editor)
Snow is on the ground,
winter time is here.
Foot steps make no sound,
but, we are filled with cheer.
It’s warm to us so we must
be polar bears.
Tromping through the crunchy snow
without a care.
Spring is coming! (click, click, click)
Spring is coming! (click, click, click)
Today, Winston has been seeing himself as a composer. He's been insisting that me make more songs like our Rain and spider web song. He's got some good ideas.
Snow is on the ground,
winter time is here.
Foot steps make no sound,
but, we are filled with cheer.
It’s warm to us so we must
be polar bears.
Tromping through the crunchy snow
without a care.
Spring is coming! (click, click, click)
Spring is coming! (click, click, click)
Today, Winston has been seeing himself as a composer. He's been insisting that me make more songs like our Rain and spider web song. He's got some good ideas.
Friday, February 03, 2006
i knew to stand in your presence.
for the woman on Bus 56
broken toed and wincing,
i had to rise to your occasion
on this bus - cinnamon mahogany
elder woman. skin and bones
unfurling that personal song
of my own DNA. You paraded
my grandmother’s bone straight back
as if it were your own. hands
fuller than her crepe paper
flesh - festive and funereal
over bones -
I last remember...
her flawless skin
hospital light highlighted
perfect bone structure
like the torn wrapping paper smile
you gave me.
crippled and tired -
it was obvious,
some kind of home training
had knocked my head right.
underneath all modern ailments
love still honours strange kin.
broken toed and wincing,
i had to rise to your occasion
on this bus - cinnamon mahogany
elder woman. skin and bones
unfurling that personal song
of my own DNA. You paraded
my grandmother’s bone straight back
as if it were your own. hands
fuller than her crepe paper
flesh - festive and funereal
over bones -
I last remember...
her flawless skin
hospital light highlighted
perfect bone structure
like the torn wrapping paper smile
you gave me.
crippled and tired -
it was obvious,
some kind of home training
had knocked my head right.
underneath all modern ailments
love still honours strange kin.
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